TRANSFORMATION OF THEATRICAL PRACTICES IN THE CONTEXT OF 21ST CENTURY CULTURE SUMMARY

Abstract

Despite postmodernism having introduced a multitude of ironic techniques and deconstructions into the theatrical sphere, its extreme reliance on citations often gives rise to a sense of “exhausted” forms. The contemporary spectator, accustomed to rapid updates of content, expects deeper engagement and new horizons of meaning from the theater. The challenge lies in overcoming this postmodern barrier without destroying the familiar “cultural fabric” but rather interpreting its codes in a more harmonious way. The purpose of the article. The article aims to show how defining culture as a network of “artificial instincts” (Y. N. Harari) constructs a framework for analyzing contemporary theatrical practices in a cultural approach, as well as to explore postmodernist heritage as a factor that complicates the development of theater and find ways to overcome it. The research methodology. In our research, we adopt a cultural studies approach, examining the theatrical process through the lens of culture understood as a “network of artificially formed instincts” (Y. N. Harari). On this basis, we employed an interdisciplinary method that enabled us to integrate the analysis of performative practices, the “two cultures” concept (C. P. Snow), and the diffusion of innovations model (E. Rogers). In addition, general scientific methods of analysis and comparison were applied, ensuring a comprehensive understanding of new theatrical forms. Scientific novelty. The article proposes a cultural interpretation of modern stage experiments, wherein “artificial instincts” serve as a methodological basis for communication between the Author and the Spectator. “Two cultures” (C. P. Snow) are regarded as a model of the split between “classical” and “innovative” theaters; gradual introduction of radical forms via Rogers’ innovation diffusion can mitigate audience rejection. The conclusions. Confronted by postmodern “exhaustion,” modern theater seeks new performative and technological solutions that consider a cultural network of “artificial instincts.” Balancing classical narrative elements with digital interactivity may preserve cultural continuity while opening space for bold experiment, potentially bridging the “two cultures” divide and transcending postmodern crisis.